I have a restless imagination and a natural inclination to work in different mediums. As a painter, I move among genres to explore what inspires me. Throughout my work is a desire to communicate the details of moments that appear when we pay close attention, and to examine the narratives beneath our personal interactions.
Landscape painting continually engages me, and I enjoy being part of this long artistic tradition. Working plein air is a foundation of my practice. I aim for a loose form of realism in my landscapes, more personal than what a camera would record. An outgrowth of my landscape work is what I call my “investigations.” They focus on the detritus associated with the construction and demolition going on all around us, often in uncomfortably close proximity to the natural environment. When I paint people, I intend for the viewer to interact with my subjects as within a performance. Often I draw on narratives from classical sources — literature, the Bible, art history — as those stories have deep emotional resonance.
As printmaker, I also explore landscape, especially in my etchings. In my monoprints, I draw on imagery from mythology, as in my series based on the stories of Orpheus and Eurydice, and of Phaeton and Helios.
I am both a visual artist and a word lover. I see poetry as the literary partner to painting, a means to let words spin and resonate with meaning. Poetry lets language bend to express the subtlety and wonder of human experience. I write poetry to put a little bit of my soul out into the world.